Media

Articles

Interview on Glissopipe and Glissonic Family (HU)

In this feature on Dalszerző, Hungarian music magazine writer Sára Wagner talks with composer, instrument inventor, and Glissonic creator Dániel Váczi about the newest addition to the Glissonic instrument family — the Glissopipe. The article provides background on Váczi’s musical and creative journey, explains how the Glissopipe works compared to other instruments, and highlights its intuitive, voice-like playing experience. It also previews the upcoming Kickstarter launch and invites readers to subscribe for early access to the first instruments.

Chris Weisman on Glissopipe (EN)

In an article published on his Substack, composer and author Chris Weisman reflects on the Glissopipe as a radically intuitive new instrument. Drawing on his background in contemporary and experimental music, he explains what makes the Glissopipe unique and why it immediately invites exploration, listening, and playful musical discovery.

Glissopipe: A New Hungarian Instrument Set to Captivate the World (HU)

In an article published by Papageno, a leading Hungarian classical and contemporary music magazine, the Glissopipe is presented as a new Hungarian-developed instrument with international potential. The piece introduces the instrument’s unique, voice-like approach to pitch, its inventor Dániel Váczi, and the broader Glissonic concept, highlighting why the Glissopipe represents a fresh and inspiring direction in acoustic instrument design.

Recorder Home Page Mentions Glissopipe (EN)

On the Recorder Home Page, a long-standing online resource about recorder instruments compiled by Nicholas S. Lander, the Glissopipe appears in the context of upcoming continuously pitched wind instruments. The site notes that a series of inexpensive 3D-printed Glissopipe instruments in three tunings and colours is expected to be released soon, offering a new world of microtonality and simplified pitch exploration compared to traditional recorders.